The Morning of Living Dangerously

Another shooting in America. A crazy person with a gun. So what else is new?

Well, THIS was. It wasn’t Ferguson or Baltimore or a movie theater in Colorado. It was at a rural lake resort area in Central Virginia. A female TV reporter was interviewing a Chamber of Commerce representative about tourism, when shots were fired. The reporter and the videographer were killed, the Chamber lady was hurt – and it was all caught on live TV. The shooter got away, but according to the story, filmed (generic term) the whole thing while he was shooting and posted it on social media. Police closed in at a location in northern Virginia, and several hours later, he shot himself and eventually died.

Certainly this isn’t the first time journalists have been crime victims. But we have all these new issues. How dangerous is routine journalism, even for those doing the morning-coffee beat? Do they now have to carry guns, or have a security guard tag along? And how do other journalists cover this story? What do they show of the incident? How can they tell the story without giving the shooter what he wants: publicity? Will there be copycats? How do social media platforms keep a lid on graphic video?

Think of the challenge for news anchors all over the country, even the national stars. Most of them started off at small-market stations, likely interviewing Chamber officials at scenic locations for a morning show. How can they not be pierced to their core, as CNN’s Brooke Baldwin was, while reporting on this? It wasn’t all that long ago that she was a reporter at a TV station in Charlottesville, only a few hours’ drive from the shooting scene. You can’t quite blame her if she came close to “losing it” as she paid tribute to her fallen journalism colleagues. And what about the dead reporter’s own fiancé, who works at the Roanoke station as an anchor?

I was asked today how I felt about anchors “losing it” on the air in such situations. Well, Ms. Baldwin held it together, she didn’t lose it, but she was obviously deeply moved, as I’m sure all her viewers were. Some of us remember Walter Cronkite’s simple gesture of taking off his glasses and looking at the clock to tell us when President Kennedy died. That was how we knew he was moved. But anchors are human, too, and we know that part of them when we see it.

The fact is, general daily journalism isn’t safe. It’s not unlike being a cop. When you report to work in the morning, you don’t know for certain what you might be covering. An Easter egg hunt or a fire with a toxic waste cloud? An Apple store ribbon-cutting or an earthquake? A school spelling bee or an angry mob? The schedule can go to hell in an instant. You have to make judgments on the fly about where to put your equipment and vehicles, and yes, even your own body. That is, if you’re even given that chance.

And at some point, we are going to have to figure out how to cover these things – the balance between factual reporting – telling us what we need to know -- and drama, and how to keep from glorifying the wrong people. And, of course, how to keep crazy people away from guns. We don’t quite have those acts down yet.